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一直作為米(mǐ )(👷)路斯．科曼劇本鐵(📒)三角(🐌)（(🍩)另(🔼)一位是帕培錫(🕸)，也是本片編劇之一）成員(🥈)的艾雲(yún )．巴薩，當然(rán )(🥩)也走(zǒu )低度戲劇(👋)路(⏬)線(🎲)。同是(🌗)音樂家的彼德與卡洛老(lǎo )友(yǒu )重(🎩)逢，生(shēng )(🛍)活狀況(kuàng )大不(bú )同(💆)，你有(🥄)伴侶(🚉)我有家庭，然而都有說(shuō )不出的不(🙁)明朗(lǎng )，唯(wéi )(🚑)有以酒(🕕)與音樂(lè )代替口水。全片推展不問目的，只在剎(chà )那(nà )間(🔢)的意圖，行(háng )行企(qǐ )企(🥎)比起科(kē )曼更義無(✋)反顧(gù )，卻有生活淡如流(🙀)水的詩意和(⏰)繆思，叫觀眾(👃)聯(🧤)想(🔔)到(🚻)二十年(⛳)後的伊力(lì )．盧(lú )馬(🎋)。巴薩鍾(zhōng )愛音(🧣)樂(lè )(🤖)的程度(🌮)不下於(yú )文(wén )(🈁)字和(💝)電(diàn )影(💔)，古典音樂與民(mín )(🚗)間音樂於全(quán )片迴轉迴(huí )盪，難怪成了奇斯洛夫(💹)斯基十大心愛(ài )電影之一(🐡)。 (🤔) 康城(⏲)影展青年評審團獎(jiǎng )，美(💸)國全(quán )國影評人協會特別(bié )獎(🔙) 這部1966年的珍品(🚽)，是捷克(kè )新(xīn )浪潮(cháo )短暫生命(mìng )(🍺)中最佳作品之(zhī )一(🧘)。成名音樂(✖)家到小(🎴)鎮探訪舊同(tóng )學(xué )，舊同學是個窮音樂(🐈)教師(shī )，有(🌲)時在(zài )(🈂)喪禮上吹奏樂曲。平(píng )凡的素材在巴(bā )素手裡，變出風趣復罕見的旋律，一部憂鬱的喜(xǐ )劇，或灰(huī )(🏗)色(👔)喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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